Yummy Heroes Theology

I'm a sucker for tasty sci-fi goodness. Give me just about anything that combines a martial arts showcase of raw skills with out-of-this-world powers and I'll scarf it down. But if you really want to fill my metaphorical belly, find a way to intelligently work into the sci-fi action some juicy philosophical musings. The Matrix, like a master chef, accomplished this feat ingeniously, and has perhaps become the prototype for this sub-genre. Heroes is the newest dish I've tasted that serves up this delicious combo, only in bite-sized weekly morsels that leave you wanting more.

My wife and I got into Heroes pretty late in the game. I had watched only brief moments from a few random episodes prior to season 3. However, because of our Netflix subscription, we noticed that every episode of seasons 1 and 2 were available for instant viewing via streaming over the interwebs. So, 2 or 3 episodes at a time, we watched the entire first and second seasons---and then the entire third season finishing up the series (thus far) last friday.

Of course the action is enthralling and the special effects impressive, but honestly it has been the characters that have drawn me in. Each story line has it's own unique appeal, it's own fascinating dynamics. There are marriage dynamics, sibling dynamics, friendship dynamics, to name a few. There are teenagers coming of age, men and women in middle-aged crises, and elders in the twilight of their lives clinging to hope.

It's the philosophy of Heroes, however, that holds the show together. Random stories about characters and their relationships is daytime soap territory. Even the super-powers wouldn't stand on their own---Passions proved this. But by adding the philosophical undertones of fate, free will, destiny, God, and the ontological nature of the future, the plot is provided with a stabilizing force that intertwines each of the disparate story lines and gives the series a maturity and credence it would otherwise lack.

I'm of course in love with the portrayal of the future as partially indeterminate in the Heroes universe, but this is now to be expected. It seems that classical theists, like the proverbial ostrich with it's head buried in the sand, are the only group that continues to deny the openness of the future. To everyone else, the future's openness is an obvious and proven fact. Some other examples of this are Minority Report, the Butterfly Effect, Next, etc. etc. In the Heroes universe, the partial openness of the future is illustrated through the relationship of the characters to time travel and predictive visions of the future. When the few characters gifted with the ability to either dream or see or paint the future do in fact predict what is to come, there is an intuitive knowledge that this vision can be altered, prevented. Characters with vested interest in a particular future being actualized tend to speak of it as "inevitable." But this fatalism is almost always met with immediate opposition. For example, in one episode, when a character named Claire is told a dismal future is "inevitable" she vehemently retorts, "the future is not written in stone!"

While I will continue to, and perhaps always, appreciate twin philosophical undertones such as fate/freewill in stories like Heroes, another pair of themes in Heroes has surprisingly grown prominent and caught my attention. Healing and forgiveness have played important roles in this series---moreso than I would have expected. It has been particular intriguing to see the characters portrayed as the villains wrestle with these subjects. "Sylar," who is often portrayed as the character of greatest sinister evil, appears in a scene with another character upon whom he has inflicted tremendous pain. In Sylar's quest for purpose and identity he has, by this point, realized he may not want to be a monster. In this particular scene, Sylar allows the person he has severely hurt to lash out against him in a deeply self-sacrificial way. When she is exhausted from inflicting as much pain on Sylar as possible, she reveals that she too feels like a monster. She feels responsible for transforming Sylar into the monster he has become. Sylar says to her, "I forgive you. Now you must forgive yourself."

Family is another dominate theme that makes Heroes more than ordinary. Throughout the series the viewer discovers more and more surprise familial relationships. Characters discover they were adopted, they have siblings of which they were unaware, etc. Amidst a program about amazing abilities, the bond of family is often shown to be the strongest power of them all.

Heroes is a delicious entertainment snack that I have enjoyed consuming. In future posts, I may take up specific topics, episodes, or characters from the show for discussion. Be on the lookout for Heroes reheated like leftovers with commentary applied liberally like Tony's =)